This
review was a follow up to one I wrote in the first (and only) issue
of a Deep Purple fanzine I produced in 1989. I discovered it earlier
today while digging out various pieces of memorabilia for a much longer
piece I'm working on about the 1985 Knebworth Festival. As it is short
and until now unseen by eyes other than mine I thought I'd add it
to the site. I've also taken the liberty of rewriting it in a slightly
more palatable style than the original. I hope to have the previous
Garth Rockett review (from the fanzine) on the site soon so some of
the comments here may make more sense then.
The
date on the ticket may say the 24th but by the time Garth and his
Moonshiners hit the stage the calendar has flipped days into the 25th
in this late night venue. As the music from the disco fades four shadowy
figures appear quickly on stage, instruments already in their hands,
raring to go. One person, the mysterious Mr Rockett, was still missing
as they started with a little jam. It wasn't long until a gold jacketed
figure joined them as a great cheer rose from the sweaty throng when
they recognised Ian Gillan's alter ego. The outfit was a little different
from the previous outing earlier in the year, no shades or T-shirt
this time, and just the hint of a hairy chest to attract the attentions
of the ladies in the audience.

The
voice however was what mattered more and from the opening lines of
'I'll Rip Your Spine Out' it was clear that there was no cold
to worry about tonight. On fact the voice is pretty much perfect -
better than it has been for a while - and there's little need for
backing vocals other than to add depth to the tracks! Backing vocals
were added anyway by Harry Shaw (guitar) with additional voices added
by Keith Mulholland (bass) and Steve Morris (another guitar) whn required.
Tonight I could
also see the rest of the band properly and the keyboards antics of
Mark Buckle on particular. He really is as wild as I was told after
the last show- the lad really living up to the imprint on his belt
buckle: MANIAC! He calmed down a little to link into the second track
and one of my all time favourite Gillan songs, 'No Laughing In
Heaven'.
Between songs
Garth left the stage and doffed his jacket before returning wearing
a plain black T-shirt. The first track was marred a little by balance
and flat sound but during this engaging song the problems were mostly
sorted out. After a brief introduction more keyboards led into another
song familiar from the Gillan back catalogue in the form of their
infamous cover version of the Stevie Wonder classic 'Living For
the City' where again the chorus was split between Garth/Harry.
Moving directly on they sped into yet another Gillan band single,
and Elvis song and the first one I really paid attention to on the
radio, 'Trouble'. By now the crowd were jammed against the
stage front and leaping wildly about. Young Mr. Buckle meanwhile is
exerting himself too - climbing the keyboard mountain between him
and the crowd, leaping up and down and leaning over the main bank
of keyboards to reach a small set which faced the crowd.

'Ain't
That Loving You Baby' kept the momentum going as Garth showed
his rock'n'roll roots. By marked contrast however, 'Ain't No More
Cane On the Brazos' - a field lament from many moons ago - brought
the mood right down and allowed Garth to show his prowess with the
old lunch wrapper (mouth organ). The audience ceased their jumping
and stood back to watch the band perform - or at least those involved
in the track - Harry, Mark and Garth. The lunch wrapper introduced
us to the next track too - 'I Thought No', a riotous song from
the Gillan/Glover album "Accidentally On Purpose". Little Feat
provided the original version of the next track and the band certainly
'Let It Roll' on this personal favourite of theirs, certainly
enough reason to include it in the set. A few hecklers caused Garth
to thank the crowd, "well almost everyone!" before presenting us with
a new song just written by the band. 'Nothing But the Best'
was an up-tempo little number (and destined to appear on an album
the following year though the only member of this band would be Steve
Morris) with the band presenting some nice harmony backing vocals
- another welcome addition to the set of mostly vintage material.
A slight problem
with the guitars held up proceedings a little, but the roar of the
crowd soon spurred the band on and they rocked into 'Unchain Your
Brain', that nice little ballad powered from behind bt Lou Rosenthal
on drums.
Once
again Mark is all over the keyboards, obviously more Emerson inspired
than Lord though he made even Keith Emerson's antics look mild. At
the speed that the band took the tracks the main set was soon over,
but fear not, they quickly returned. Beginning with an old Hendrix
riff that soon made way for something a little more off the wall in
the form of 'I Can't Dance To That'.
No
respite as they charged straight into 'No Easy Way' which pounded
us wide awake, just in case we may have felt slightly tired at 1.30am.
On the home straight the boys ended with a double dose of hits, 'New
Orleans' hurtling first from the PA. This was followed by a fast
and furious version of the old favourite 'Lucille' to provide
a fitting end to the nights proceedings.
And that was
Garth Rockett (aka Ian Gillan in case you didn't know) the day his
departure from Deep Purple was publicised in Kerrang.
I hung about
after the show and produced an early version of the fanzine. An interview
was out of the question because of the announcement but Ian was good
enough to sign the Kerrang piece for me to use in the completed version.
A sad day in some ways but the power and enthusiasm of the band proved
that Gillan still had a future and a caring audience. In some ways
the band seemed to have the spark that the last (1987 in the UK at
least) Purple tour had lacked so I wasn't too disappointed at the
split, especially of it meant another album as good as the Gillan/Glover
one from the previous year.
Interestingly
enough further on in the magazine, in the classifieds section, was
this advert:
I wonder if it
was indeed to find a replacement in Deep Purple for Ian Gillan?
This
show was part of the second tour Garth and the boys did in the first
half of 1989 and the set remained fairly similar other than a touch
of re-ordering. The previous one had suffered at least one show cancellation
due the the vocal problems I mentioned above - the Morecambe
Gardens one I saw being just before that. Where that tour was fairly
short, and concentrated on Midlands venues, two months later Scotland
was also added to a longer schedule. In addition to the Dundee show
Glasgow (the previous evening) and Edinburgh (25th) were played. I
made it to Edinburgh but not Glasgow so a review of that show may
eventually appear on this site.
Four
days after the Dundee show the band were filmed for what became one
of the initial releases on the Fotodisk video series. It was recorderd
at
Manchester Ritz and the video gave the game away, "Ian Gillan is Garth
Rockett And The Moonshiners". You can find some stunning pictures
by Sue Burton from that show on the DPAS
site.
As you probably recognise the photos are taken from the sleeve of
the video so I can take no credit for them.
Ten years on the soundtrack was
released on the resurfaced Purple
Records. An interview from after the Morecambe show is here.