Wembley Arena and Birmingham NEC
21 & 22 June 2003
PICTURES OF HOME
WELL DRESSED GUITAR
I'VE GOT YOUR NUMBER
Don Airey Solo - PERFECT STRANGERS
Steve Morse Solo - SMOKE ON THE WATER
The original text of this page never ended up linked from the Deep
Purple index page of the site as it was intended to sit alongside a
full review of one of the two shows I saw. It did however see the light
of day on the premier Deep Purple website: The Highway Star
where it surprisingly sat among a number of other disillusioned reviews.
So almost 18 months later, a few days before the Bananas tour finally returns
to the same UK venues listed above, I sat down to see if the text still rang true.
It did though I've updated it with some further comments.
Well, as far as I'm concerned the band may as well be billed 'Ian
Paice's Deep Purple' now as precious little of the band we were
attracted to years ago remains.
After the cut-down September (as compared to Feb) 2002 set I decided
just to buy tickets for the London and Birmingham shows this time.
Other than not wanting to drive all the way to and from Glasgow during
the week the difference in keyboard sound between Don and Jon was
noticeable last September when they alternated tracks and the former
seemed to lack something. Not being a musician, or knowing a lot about
Hammond Organ technique, I can't fully narrow down what is different but
Don seems to lack the depth or breadth of tone during the intros to Lazy
and Perfect Strangers in particular. I expect it comes down to draw bar
positioning but matching a few bars shouldn't tax a player of Airey's
ability. The notes are there but they just don't sound 'fat' enough.
In London, other than during a few song intros, I can't say I was
drawn to the keyboards at all except when Morse or Gillan stepped
up to join Don on his podium.
However, now the keyboard player has changed both the original soloists
and their respective styles are now no longer part of the larger Deep
Purple sound. Ritchie Blackmore left a decade ago and Morse proved a
great replacement and rekindled the bands fire. Unfortunately I feel these
days he sometimes seems to change the style of tracks rather more than
maybe he should (I'm thinking When A Blindman Cries from last year in
particular here). Perhaps more importantly the band were smiling and
rocking live almost every night - something that wasn't guaranteed
between '84 and '93. If I had to pick my favourite tour it would have
to be 1996 where everybody, band and audience (OK, maybe not the
Blackmore fans), were smiling and enjoying the new vibe. Even more
importantly something like 2/3 of the new album was played live to amplify
the change of staff and style. That hadn't happened since the 1970's. For
me it worked though I'm sure many didn't like the change.
Roll on to 2003 and another change of staff. Don has been around a
long time in many bands and has good connections with the Purple
family so with a new album to promote I hoped that something similar
to 1996 would happen; another rebirth with fresh new songs taking the
place of the staple but increasingly stale back catalogue. Unfortunately
out of a 90 minute set (probably the shortest Deep Purple set I've seen)
there were just three new songs; one an instrumental (that was played
last year anyway and isn't on the album), another that was played last
year though has changed title and lyrics and finally one that is
completely new and due to be the single, Haunted.
The Darkness (opening band on a bill that also featured Lynyrd Skynyrd)
are sitting at number 11 in the charts with their latest (third) single
but I can't imagine Haunted making any such impression unless everyone
that sees the shows rushes out to buy a copy during the week of release.
That is unlikely as surprisingly there were no flyers or posters for
either the album or single. In fact there were no flyers even for old
material like the box set etc which feature in a full page advert in
Classic Rock magazine this month. Some of Haunted's lyrics catch the
attention but overall it was just a slow ballad that seemed out of
place and lame compared to something like When A Blind Man Cries say.
(The Darkness btw are pretty basic r'n'r in the AC/DC or Zodiac Mindwarp
area, which is OK but hardly new, and the vocalist has a voice you will
either love or hate when he goes falsetto. His normal vocals are pretty
So, other than I'm Alone and Haunted the set hasn't changed a whole
lot since the latter half of last year - 10 of the 14 over the last
two evenings songs played were in the set in September, Pictures of
Home being the only other different song). With just a 90-minute set
I think some of the solos, Don's Star Wars one for a start, could
have been dumped to provide another song, preferably one from the
reunion years. Other than the tracks from the new album Perfect Strangers
is all that represents the reunion and that was written about Deep
Purple MkII getting back together so is hardly a fitting song to represent
the last 18 years considering all that has happened since then. It
is however probably the best known tune from the reformation and that
I guess makes it a must for the live show. It is just a shame that
what used to be a laser extravaganza is now limited to some very faint
bluish-green varilights swirling around the stage area. Things were
so different 18 years ago at Knebworth…
Well, I'm sure there is a lot more to say but I'll keep that for a
full review sometime. I just wonder how alone I am in thinking this?
Certainly I spotted far fewer familiar faces at the two shows than normal so
I wonder if the attraction is fading for more than myself. I await
the album with interest but at the moment can't get too excited about
any tour supporting it as by the time it swings into the UK (if it does)
will most of the new tracks have been dropped as they were in 1998? I
think the mate who took my spare ticket summed the Purple set up pretty
well, "good but a bit flat!" By comparison he loved Lynyrd Skynyrd and
knew equally little of either bands output. I have to say I agree with
him even if LS followed a similar pattern to Purple, 3 from the new
album and everything else oldies from the 70's heyday.
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is Copyright © Doug Anderson 2000 - 2003. Created: 9
January, 2002. Last updated:
6 November, 2004.