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Sharp
on seven thirty the band tramped onstage, donned instruments and, with
only a brief "I shouldn't waste any more of my own precious time" from
vocalist John Dexter Jones (JDJ), launched into set opener MOSCOW CIRCUS.
As well as being quieter than normal, John Dexter Jones was somewhat better
dressed too, wearing a black buttoned up jacket and black shades. He certainly
seemed more restrained than normal during the rocky opener, perhaps hiding
his nerves of this important performance behind those dark glasses. The
most surprising part of his attire, however, was the Welsh flag used to
tie his hair back. I'm sure that will stick in peoples minds for a while.
John may have seemed a touch restrained but his sense of mischief was in evidence part way through the this track as he purposefully stood in front of Mo, hiding both her and the keyboards, until she peeked out from behind him. The initially small (it was an early start with only those in the know here in time for the whole set) but enthusiastic audience made plenty of noise. The numbers soon swelled as people managed to reach the venue throught the crowds of Londoners all travelling the opposite way. The chat was kept rapid and fairly short (considering the usual Jones verbosity) to conserve time for the music. "Evening, it's nice to be back in London" swiftly being followed by mention of Jump being "the last band of this ilk to play" the venue and then the intro to the second track as "This is the song of the American B movie, Brad Pitt's early career. This is LIKE A DRUM". The tightly buttoned jacket and dark glasses remained on for this number.
"The next song is on the live album" …
"hey, we sold 3 CDs before we came onstage. It's going to be a record night
tonight, 'cos that'll be three!" (laughs from the audience)
"We've come from leafy Buckinghamshire
where the headlines in the local papers are 'Jump to it'". He went on to
explain that they regret naming the band because it is "something the local
news writers can have a field day". The tale moved on to the previous weeks
show in Swindon where the hall "was a tenth the size of this with a PA
four times the size and an engineer who's very, very very, willing to turn
it up very, very loud."
"JDJ checked how the time was going with
Mo before taking the acoustic off Steve, borrowing a pick from Pete and
talking a little about reviewers and Time Out magazine.
Time for a change of tack though, "This is a song bout sex. TONGUE TIED". The pace is picked up once again with this track. Between verses JDJ loosens top section of mike stand letting it drop, a trick he began a gig or two ago. A strange habit but there you go. Vocalists, they just have to be the centre of attention. ;-) "This is a song about a pinball machine
in Milton Keynes." He made some mention of the songs getting "more senseless"
before going on to explain that "if you're from where I am you just get
a big pair of wellies." I'll leave the rest of the introduction to your
imagination! Thankfully the tack was changed back to music with "This is
a song called JUDGEMENT DAY a heavy metal riff song." Heavier than
most of the set this far the twin guitars of Pete and Steve riffed their
way through the track before JDJ led it off into Led Zeppelin territory
with "talk(ing) about love". It's reached the band introductions time and
first up us the turn of:
Before the blues moved into SHINE ON
YOU CRAZY DIAMOND John queried "Ready? Mouses at the ready" as
he made mouse moving motions with his free hand. We didn't get much of
the track though as time was short and they kicked back into the blues
as Led Zeppelin were mentioned again. This time we were informed that it's
"twenty years since John Bonham died." Towards the end of the song
John donned dark glasses again then
And that was it. Almost exactly an hour of Jump in the centre of London. I'm sure a lot of people had their ears opened to another great band during that hour and let's hope the bought some CDs on their way out! |
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